The Magic Shop in Keane's "Under the iron sea" DVD

Well, it seems I'll keep blogging now and then after all, it's just that I keep finding things that complete my previous posts so..
Latest finding: footage of Keane inside the Magic shop. When I found it in youtube, I was really surprised as I didn't even know there was an UTIS (Under the iron sea) DVD. Seems I am a little clueless after all.
Anyway, it was a curious sensation seeing them there where I too set foot almost two years later (if you want to see the pics go to my previous post, The Magic Shop in NYC ). I really couldn't picture them there when I visited, neither could I feel any "kean-a-normal" vibe or anything if I tried.
The documentary also shows the band working on their songs with their producer, really working on the songs (not pretending they are while striking poses, etc), it's something I didn't think I'd get to see, so any portion of it .... a total treat (thank you, whoever had the idea). It definitely sheds a lot of light on this record and this band. Maybe their official web page should mention these DVD's??.
Labels: Keane Under the iron sea dvd, Keane magic shop, Keane UTIS dvd
Back to Keane stuff

Message in a bottle

I wasn't supposed to blog anymore but I have just read this article (by chance) about messages in a bottle that is so curious and worth reading that I couldn't resist posting it (it's worth a few minutes, really). It is a great example of chance's role in our lives and how ironic it is, it actually makes us feel at times that life's just a bad joke, or a good one. Such a good article and yet nobody signs it.

The Magic Shop in NYC

On my last week’s “day off” it was time for the Magic Shop in NYC, a one of a kind recording studio with an impressive list of clients (yes, Keane among them, ‘course, but Cranberries, Bjork, Lloyd Cole, and more of my favourites too, as well as legends like Liza Minnelli or The Rolling Stones, and soundtracks like Great expectations or The matrix). Here are some of my pics, though I’m afraid that again the quality is less than perfect: one in the blue room with super engineers T. and W., and another one in the reception, as well as a view from the street. I could not go inside the actual studio because it was being used at the moment but there is a photograph in their official site. The place was surprisingly unpretentious, small and cosy and the people there were tops.

As much as I love music I couldn't’t name more than a couple of producers, and, hmmm, no sound engineer, which isn’t fair, really, but still I’m "aware" and intrigued and love what they do (lucky them!). I’ve discovered a few internet sites that are very illustrative for beginners in these matters like me: in record-production.com you can find interviews with many well-known producers like Richard Rainey (U2…) among others, and tour different recording studios. It also gives you a blunt look at what that job means for the people involved (takes courage!!).
I also found this site about Glen Ballard (one of the few producers I know the name of). And going back to Keane (yep, once more!), there’s this interview with their producer (and co-producer in the second album) Andy Green.

There's also Mix magazine, about these issues of professional recording and production technology, for the specifics (a few articles on Keane's equipment too).
Anyway, I’m afraid I’m done with my “excursions” for a while, so I’m back to my rosetaupe life and I don’t know when/if I’ll be posting my “bits” again.

Tags: Magic shop recording studio New York, The magic shop studio Crosby Street

My visit to the Tower

One last post on the Tower, as promised, adding some spare data to what can already be found in this blog after my visit there. I’m also posting more photos from the inside/outside (one of them of seats in the PIT, the first two rows had different ones though), I'm afraid the pics are not good/arty at all but when the concert was over I wasn't very much in the photo-taking mood. This post is based on my experience, so things could be very different as time passes by or other circumstances change.

I really liked the Tower, it has some special glow and it’s like you step back in time when you enter (the inside set up is still fully 30’s).You can nicely hang around before and during the concert either in the main hall, which is fairly big (on one side there’s a bar with a few stools) or upstairs (I liked that one better, it has very comfortable sofas and little TVs where you can see what’s going on onstage). Things you’ll find in the bar: food (pretzels, pop corn, a little weird things for a concert) and drinks (beer was very popular that day, cost about $6; Coke, etc 2 or 3 dollars).
The place is in good shape though some things are too worn (tough to maintain). This place has a personality of its own, and the profusion of mouldings and marble columns everywhere, the signs (all in a very Mucha-like symbolism stylish letters) and the ample stairways make it a very beautiful one.
The personnel were nice, and would happily answer questions; they also let me go look to all the levels and peek around (except the “forbidden doors”, which had serious tagged men posted before them). The sound was very good but I was not a good judge as I was in the pit (best place to be, if you ask me). Nobody asked if I was carrying a camera or said anything about it, and people were flashing their cameras inside all the time even before the concert (I believe it depends on each artist's instructions ). But people who were recording the show were asked to stop.

There was talk in the corridors before the concert started, people with the idea of abandoning their seats and conquering the Pit asap (actually some of the people in the first rows were also talking about that possibility and thinking of tactics not to hand over their positions), but it actually never happened, not even close. Ushers know all the tricks by now!. Also one of the ushers checked everybody's tickets in the first rows (a few people were sent back to their actual seats).
**Update 08/27/07: somebody just left a comment on the main tower theater info post saying that in the concert they attended yesterday "the aisleway became a general admission area and nobody was watching the area", so it seems that it depends on each concert, and that there’s no way of knowing which way it’s going to go until you’re actually there. They also remarked how hot it gets inside.** The toilets were fair enough (no queues), and there was a nice girl taking care of the women’s one downstairs, handing paper towels to wipe your hands and offering candy, etc … Regarding parking, there’s one that is fairly big, quite near the theater, it’s signalled clearly, and it costs $10. We were told by locals that people parking in the street are very often fined on concert nights, even if they park after 9 pm. That would not really be fair, but I’ve already had bad experiences with parking tickets myself, so!! (Update 06/18/07: I've just read here that there's been car breaks in the Tower's parking recently as it seems there's no one there to look after the cars all night, which stinks after the money they charge, if it's true, so if anybody comes up with a good solution for the parking issue please write).
Hope this is helpful. And just a little reminder, sorry to bring this up again, but this was meant to be an interactive site, so please come back to add your comments , share your experience at the Tower, it will be useful to others...thanks!!!